His latest show, in the magnificent new space of La Guilde, continues Craste’s brutal interventions under the title La Chute (The Fall). It is his first collaboration with the gallery-cum- museum, and the opening was packed. A nerve-racking time for the director, I imagine, with so many fragile sculptures on display. In addition to Craste’s signature assault- with-a- tool pieces, there were vases decorated with applied scenes and antique designs, in colour and in black-and- white. These decorative motifs carried a darker message, as some of the images turned out to be scenes of concentration camps for example.

Fragility and violence, pain and pleasure, Craste casts his net wide and deep. In excising his vessels from their utilitarian and/or ornamental function, distorting and damaging them, the artist, according to his statement, is attempting to reflect the human condition, no less.

... I am inspired by the original porcelain models of the 18th and 19th centuries found in the indexes of the great European manufacturers and I use these models, submitting them to a form of deconstruction, violently altering their formal structures through acts of vandalism perpetrated with workers’ tools, through stagings evoking corpses, martyrs or even suicides.”

Ouch, again!



La Guilde
1356 Sherbrooke St W
Montreal, QC externe)
February 23 to April 29, 2018 externe)

Laurent Craste, Le Lac, 2014-2015, 48 x 17,5 x 14,5 cm, porcelain, glaze,
lead pigments, gold. Photo: Daniel Roussel.