If objects could speak, what stories would they tell?
Peeking through the glass doors of the artist-run centre Diagonale on a cold, gloomy winter afternoon in February, art-going audiences at Le Carré de Gaspé are treated to the bright, lively, fluorescent accents of Maria Hupfield’s most recent solo exhibition, Manidoowegin/Spirit Skin: Memory and Form. Seen from the outside, the [...]