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_Reviews
A Sense of Place
Halifax’s Blue Building Gallery opened its doors on February 11, 2021, with a group show called Soft Launch, featuring six of its seven anchor artists1. Since then, the programming has featured solo projects by three members of that group, but […]
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_Reviews
If objects could speak, what stories would they tell?
Peeking through the glass doors of the artist-run centre Diagonale on a cold, gloomy winter afternoon in February, art-going audiences at Le Carré de Gaspé are treated to the bright, lively, fluorescent accents of Maria Hupfield’s most recent solo exhibition, […]
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_Reviews
Northern Narratives
A Story in Three Parts presents Kenojuak Ashevak’s drawings and prints (Life and Legacy, 1998–2013), Sharni Pootoogook’s works on paper (Creatures, Shadows and Dreams, 2001–02), and a thirty-seven-minute film by the Isuma Collective directed by Carol Kunnuk (Ataguttaluk—A Life to […]
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_Reviews
Blackity: Constellations of Black Canadian Art
Walking through the stacks at Artexte, in the heart of downtown Montreal’s Quartier des Spectacles, we come to a small dark nook where two documentary videos play on monitors. In one thirty-two-minute film from 1994, curator Andrea Fatona and media […]
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_Reviews
Observing the Changing Same: MOCA Toronto’s GTA21 Triennial
At the steps of the Museum of Contemporary Art Toronto entrance sits a large wooden game board. On its surface are more than a hundred black painted wooden tops that visitors are invited to try their hand at spinning. Upon […]
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_Reviews
Reframing Natural History at the MAC LAU
In the foothills of the Laurentians, one of the oldest mountain ranges in the world, in the town of Saint-Jérôme, Quebec, the Musée d’art contemporain des Laurentides (MAC LAU) regularly presents some of the most enticing programming in the province. […]
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Submit an article for Vie des arts
June, 22th
Call for pitches
For its website, Vie des arts is looking for English written exhibition critiques and news articles that highlight contemporary issues presently shaping the art world. Submissions must include a short pitch (250 words) with the subject you want to cover and a brief description of the critical angle you will use, three excerpts of texts (published or unpublished), and a short biography (25 words). They should be sent at the editor-in-chief at redaction@viedesarts.com.
